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Daisy Berry written in a swirly hand-written font.

artist-illustrator-researcher
@daisillu

illustration
upcycled clothing
commission work
collaboration work
about/contact
exhibitions
sketchbooks
film photography
shop

a landscape oil painting of a large green dog, using it’s head to hold a smaller pink dog in it’s chest cavity. they are surrounded by a meadow of red and purple flowers. there is a border of a yellow tulip and a daisy on both the left and right side, with the words ‘i am the girl i always was. i will be here forever and ever.’ written at the top and the bottom. the colours are purple, green, yellow, red, orange, and fluorescent pink.

‘i am the girl i always was. i will be her forever and ever.’
Oil and Crayon on cold-pressed paper, 77x56cm, April-June 2025.

Three large trees, the middle of which the largest, towering over a glowing figure at the bottom of the painting, whom is shrouded in tall grass. Their arms are extended to illustrate a magic quality of the painting. The image is bordered by a light blue archway, with two bright yellow bunnies leaping over the arch in the top left and right corners.

A young girl with long brown hair sitting on a pink and blue stripey sofa with her black dog, a labradoodle, cradled on her lap. Her head is rested in her chest. The girl is petting the dog's head and shoulders. There is a border of green with stars cut out of it on the left.

A blue, green, and pink painting, with two hands circling a lamb in a pink and red star. The hands have been drawn out of a grassy landscape using blue paint. The words 'Queer Enough!' are written in a bold pink and red font on the arms of both hands. There is a simple striped border of white around the rectangle of blue.

A ginger cat within a blackberry bush, who has it's eyes scrunched up against the September sun. The grass is speckled with blue flowers. There is a faux-lace border on the left and right that has blackberry stems within it. In the top left of the painting, there are the words, 'i am a soft and solitary creature', in a gothic font.

A wasp, stomach up, displayed in the middle of the drawing on a blue starred background. Above and below the wasp are the words, 'forgive your anger', in a red and yellow thick swirled serif font. The borders around the drawing imitate brown and blue ceramic tiles, with the outer borders on the left and right containing yellow ivy on a brown background.

The painting features a dead pigeon, who appears to be falling from a greater height, with it's wings curled into it's body along with it's head. The pigeon has a feather coat of black and white, inspired by a pigeon that Daisy saw outside her work before her shift. The feet are pink. Above and below the pigeon is written, 'she said "do you believe in angels?"' in a gothic font, with stars surrounding the writing and pigeon on a dark brown background.

The writing is inspired by the song lyrics, "she said do I believe in angels?" by EDEN, in his song 'Pocket (montreal)'.

A dog with a brown and white coat lays on the sofa, with his head resting on the arm rest, the evening sun gently warming him. The sofa is draped with a striped blanket. The drawing is bordered with a dark blue, green, brown, and red tile. At the top of the drawing features the words 'i am gorgeous and undefinied' in swirled handwriting.

A blue house on fire which is building into the deep blue starry night sky. The words 'No More' are written within the flames. There is a border of green and blue tiled stars with multicolour triangle tiles on the outer border.

The drawing features a stacked hay bale, surrounded by a border of blue and purple upside-horse shoes, a symbol of good luck. Below, the words, 'happy autumn equinox!' are carved out of blue, purple, red, and green blocks of colour. Similarly, each corner has a yellow star on a red background. The outermost border features a scalloped purple pattern, with lilac flowers and white dots embellishing it.

The middle of the drawing features a snarling yellow lab with a harness around it's mouth. It's eyes are red and it is salivating from the force of it's growl. Above and below the lab are the words, 'i don't like it when u speak to me like that', written in a multiude of colourful squares. The border follows a similar pattern of an array of colourful stars within colourful squares.

The drawing followers 3 fishes that have each been cut at the tail, midpart, and head, with their bones on display. They are arranged in the same manner to show that they could join together to make a new fish, despite being different. The fish is on a pink background, surrounded by the text, 'i am everyone i have ever loved', which is drawn in multiple colours and imitates letter fridge magnets. There is a fine border of green and red at the edge of the drawing.

A portrait oil painting of a person hugging a ginger dog on a colourful rug. The color palette is red, orange, green, yellow, pink, black and grey.

The picture shows Daisy's collated quilt for their final university project. The quilt has a backing of a brown quilt and a crochet blanket, hand-stitched together. On top of this base, there is Ky's bedroom portrait, illustrated on a tote bag using vibrant paints, beads, and threads. To the right is Ollie's bedroom portrait, which is illustrated on an upcycled bright yellow 'Taxi' bag, which is an independent vintage shop on Norwich market. The illustrations are dark blue and red. Below to the left, is Daisy's parent's bedroom, which is the largest piece of fabric. The text is a mulitude of colourful recycled fabrics, which reads: "A bedroom is a very intimate place. It's your sanctuary. It's where you're most vulnerable; most honest; and dare I say it, you're most naked." Finally, to the bottom right, is Izzy's bedroom portrait, which is a brown emblem with an orange, yellow, pink, and green colour palette. The quilt is displayed on a mattress, alongside a bedside table, rugs, and slippers, to create an immersive bedroom environment.

The picture shows Daisy's collated quilt for their final university project. The quilt has a backing of a brown quilt and a crochet blanket, hand-stitched together. On top of this base, there is Ky's bedroom portrait, illustrated on a tote bag using vibrant paints, beads, and threads. To the right is Ollie's bedroom portrait, which is illustrated on an upcycled bright yellow 'Taxi' bag, which is an independent vintage shop on Norwich market. The illustrations are dark blue and red. Below to the left, is Daisy's parent's bedroom, which is the largest piece of fabric. The text is a mulitude of colourful recycled fabrics, which reads: "A bedroom is a very intimate place. It's your sanctuary. It's where you're most vulnerable; most honest; and dare I say it, you're most naked." Finally, to the bottom right, is Izzy's bedroom portrait, which is a brown emblem with an orange, yellow, pink, and green colour palette. The quilt is displayed on a mattress, alongside a bedside table, rugs, and slippers, to create an immersive bedroom environment.

A tote bag with an array of Ky's belongings illustrated onto it. This features, for example, a Monstera plant, a hand-made cuddly toy dog, a Pokemon plush alongside an Alien bear, Tamagotchis, and his Dad's jumper. These are surrounded by a border of Ky's scarf that he donated as a physical object from his room, beaded fairy lights, and written dialogue of the interview.

A bright yellow bag with an array of Ollie's belongings illustrated onto it, including an American football, merchandise from his favourite NFL team, and some chocolates. The illustration is bordered with written dialogue from the interview.

A large piece of white fabric featuring the text, 'A Bedroom is a very intimate place. It's your santuary. It's where you're most vulnerable; you're most honest; and dare I say it, you're most naked. This is written through cut out letters from recycled fabrics, on block square and rectangle backings, in a multitude of colours.

A tan fabric background that has been cut from an old skirt. In the middle of the portrait, there is a brown emblem, featuring an array of Izzy's belongings, such as plants, her Mum's creations, a toy Bunny from her close friend, and some pringles, squash, and Tiger Balm. The emblem is also embellished with orange and pink beading, a sun at the top, and decorative leaves. The painting is bordered with written dialogue from the interview, stretching all the way to the edges of the canvas.

A canvas that has been made using old cards sent to Daisy during Christmas and her birthday, that have been stitched together using string. Therefore, it is not a defined shape. In gouache, there are objects painted from Daisy's childhood room, including a bean bag with their scarf on it, her cork pin board, and photos pegged onto a draped piece of string. Through the middle and bottom, in gouache, there is written 'Daisy's childhood bedroom' in gouache paint, and 'i miss my mum i want to wake up in the room my...' that trails off to the bottom right corner. Around the rest of the canvas is written dialogue of Daisy's thoughts in white and pink posca markers.

A floral piece of fabric with breakfast foods such as granola, eggs, knives and forks and toast, screenprinted onto it. The colour palette is dark blue, pink, and yellow.

The monoprint features a banana, a jar of peanut butter, and two pieces of toast, to illustrate Ella's favourite breakfast of banana and peanut butter on cinnamon toast. The print is illustrated with orange hand writing and pencil.

The monoprint features a casserole dish of ratatouille on a red tablecloth with white hearts. The words 'ratatouille is a loving feast that my grandma gives' in yellow oil pastel.

A monoprint featuring pasta, salad, and roasted vegetables, with a deep green, blue, red, and yellow colour palette. The text is illustrated using white oil pastel.

A monoprint featuring sweet potato wedges, covered with paprika, peppercorns, salt, and rosemary stalks. Above and below there is written, 'sweet potato wedges for all your sweet, salty + spicy needs' in blue oil pastel. On the left there is text written in red biro.

A monoprint of a pack of Quorn ham, a jar of sundried tomatoes, and an avocado. The words 'Quorn Ham' are written at the top of the print in orange oil pastel, with 'sandwich' written on the bottom in white acrylic paint. There is a light green square of text on the left, the text 'avo' written in green below the avocado, and 'suntried tomato' under the jar of sundried tomatoes in red oil pastel.

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